Chenxuan Yue
岳 宸 萱Double
Ongoing 摄影 PhotographyThe Rhetoric
2022 雕塑 诗歌 Sculpture & PoemsIn low winds, these vortices cancel each other out. A Text.
2020-2021 雕塑 文本 Sculpture & TextHuuuge Party
2020-2021 绘画 PaintingUnder the Cliff
2021 绘画 诗歌 Painting & PoemBook Recipe
2020 Zine 诗歌 Poem/ Collaborative ProjectWalking Alone
2019-2020 雕塑 SculptureEnormous!
2019 雕塑 Sculpture
“Unnamed”
2019 行为 Performance Why you hate me?
2018-2019 雕塑 SculptureHe is innocent beyond a shadow of doubt.
2018-2019 装置 InstallationExhibition/Publication
展览/出版Landscape Architecture
景观建筑作品
Chenxuan Yue (b.1997) is a Chinese artist who works with a variety of perspectives and methods. Chenxuan’s practice often uses traditional handmade materials combined with industrial products and man-made models to explore the relationship between structure, imagination, and the material world of everyday life. Her work often focuses on the structural methods humans attempt to establish in everyday life, such as language, symbols, industrial products, and public constructs, and their blurriness, slippage, or collapse.
Her recent work The Rhetoric, explores moments when boundaries were blurred and the capacity of language as a form of imagination to invade reality and create chaos. As a speech decoration, a manufactured difference, forged blood and body, a color of temptation, a symbol, an imagination, and a pretense, the cherries grow, from madness to silence, and the expansion of rhetoric gradually becomes a kind of emptiness and a wound.
岳宸萱 (b.1997) 是一位使用多种视角和方法进行创作的中国艺术家。她的个人创作经常使用传统的手工材料结合工业制品与人造模型，从而探索结构、想象与日常生活物质世界的关系。她的作品经常关注人类在日常生活中试图建立的结构性方法，通常是语言、符号、工业产品以及公共建构, 以及其模糊、滑移或崩溃。
她最近的作品《修辞学》探讨了边界消失的时刻，以及语言作为一种想象侵入现实并且制造混乱的情况。作为一种言语的装饰，一 种被制造的差异，一种被锻造的血液与身体，一种诱惑的颜色，一种符号，一种想象，一种矫饰。樱桃的生长从疯狂到静默，修辞的扩大，逐渐成为一种空虚，一种伤口。